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Tag Archives: Elyse Weinberg
So I go to my Vinyl Preservation Society of North Texas meeting last month and my friend Vince is there. He commented that he had read my blog on the group and eponymously titled album “Touch” and he brought something to show me. He had a copy of the album by Elyse Weinberg that “Touch” performed on as her backup band. They were credited on the album as a band called “Band of Thieves”. We looked on the back cover and low and behold, Bob Garlucci is credited as the arranger of all the songs. In addition, Neil Young sings back up on one of the tracks. The song “Band of Thieves” which was written by Elyse Weinberg is the same song the Cher covered. Elyse Weinberg is an interesting story herself. I am going to try to borrow this album and do a blog on it so that I can tell her story as well. Stay tuned for further details. It was quite a treat to hold this album in my hand. I asked Vince if he had listened to it. He said he only played it once and it didn’t really grab him. It was great verification of the research I had done on the “Touch” LP.
This blog was inspired by my friend and former roommate in college, Ken. Ken is the first person who ever told me about this album. Then Ken sent me a copy of the CD. Later on I found two copies of the LP and bought both. It turned out that they were both in VG+ condition. I gave one copy to my daughter and I kept the one you will here on this blog posting.
When the song “Louie Louie” by the Kingsmen opens, you hear a keyboard riff that is easily one of the most famous and influential musical ideas of all time. A fifteen year old young man named Don Gallucci created that keyboard riff. A billion songs have used that chord progression. It is arguably the most influential song in Rock history. It is certainly one of the most recognizable songs in Rock history. The song is the Root of the tree that all “Garage Rock” grew from. “Punk Rock”, too. The song and group came out of the Pacific Northwest. Portland to be exact. So it is also the root of the tree that Grunge Rock sprang from as well.
The song and the riff were a blessing and a curse to Don Gallucci. . The curse was that he was so young that his parents wouldn’t let him go out on tour with the rest of the band. The blessing was that the course of his life and destiny lay in another direction.
He started a new band called “Don and the Goodtimes” with drummer Bob Holden. He had another hit record. The song was called “I Could Be So Good To You”. The song made it into the top 20. The song was produced and arranged by the famous Jack Nitzchie.
The year was 1967. Don felt like every song, every album, was just like every other album and every other song… Two things happened that lead to Don Gallucci’s next great contribution to Rock history… He discovered L.S.D. and he heard “Sgt. Peppers Lonely Hearts Club Band”.
Gallucci felt that song structure could be expanded beyond the typical 3 minute radio friendly song. He felt that Rock-n-Roll had much more potential. Rock offered the opportunity for serious musical composition. He took some acid and came up with 12 minute long, wildly original song he titled “Seventy-five” and Rock music would never be the same. He formed the band Touch with John Bordonaro on drums, percussion and vocals, Bruce Hauser on Bass and vocals, Jeff Hawks on Lead Vocals, and Joey Newman ( AKA Vern Kjellberg) on Guitar and Vocals.
They rented a house in the Hollywood Hills that resembled a Moroccan Castle and started writing additional songs and rehearsing. They invited A & R men and Producers up to their Moroccan Castle to hear what they were working on. Word spread around Hollywood that they were working on a very different kind of album. This resulted in a bidding war for the bands debut album. They finally signed with Coliseum Records for a reported advance of $25,000. That was a lot of money in 1967! While they were preparing for their own recording session the record label asked them if they would act as the studio musicians for an artist named Elyse Weinberg. She was working on an album at Sunset Sound. Sunset sound was founded by Walt Disney in order to record the soundtracks for his movies. It is one of the most famous recording studios in the world. The people who recorded successful albums at that studio is a “who’s who” of music history. ( It’s ironic to note that the same studio that recorded the songs for Snow White and the Seven Dwarfs also recorded the first two albums by The Doors!) .They were credited on Elyse Weinberg’s album as “The Band Of Thieves”. They took their name from one of her songs on the album.
The recording of the Elyse Weinberg album simply morphed into the Touch recording sessions. The album was recorded in a party-like atmosphere. Mick Jagger , Grace Slick, and Jimi Hendrix were all hanging around the sessions. Jimi Hendrix even bank-rolled some of the studio time.
The recording engineer was the now famous Gene Shiveley. Apparently, no one really remembers how all of the sound effects were created. A lot of drugs and alcohol were involved. The only unusual piece of equipment they had at their disposal was a tone generator. Although, synthesizers were around in 1967 they were not always readily available. According to Shiveley no synthesizers were used in the production of this record. After you hear this music you will find that hard to believe. So what you are about to hear was all done by real instruments and outstanding studio production techniques.
When you hear the stunning guitar work it’s easy to see why Jimi Hendrix was hanging around. When you hear the piano and keyboard playing you won’t believe it’s the same guy that play “three cords and the truth” on Louie, Louie.
This album predates any English progressive rock. It was recorded and released before King Crimson or Renaissance. Maybe Frank Zappa could claim that Freak Out which was released in 1966 was the first Progressive rock album. But it is a very different sounding album compared to Touch.
So take a listen to the eponymous album “Touch”. Recorded in 1967 and released in 1968.
We Feel Fine
The Spiritual Death Of Howard Greer
Down At Circe’s Place
Alesha And Others
I am also including some songs that were not on the original album. They were included on the CD when the album was re released in 1999
Alesha And Others (Alternate Version)
We Finally Met Today
The Second Coming Of Suzanne[cincopa AgNA6m7BjfjL
The piano work on this album sounds like Keith Emerson is performing it. This album is sighted by many progressive rock musicians as a source of inspiration. Genesis, Emerson Lake and Palmer, Kansas, King Crimson, Yes, Uriah Heep, and Renascence all sight this album as an inspiration and the beginning of Progressive Rock.
So what happened? What is the reason that this album isn’t better known? One of the reasons the album didn’t sell well is that they never toured to promote it. There is a story out there that says they refused to tour because they couldn’t figure out how to perform the songs live. This is obviously not true because there are outtakes that were recorded live in the studio of the band performing some of the songs. The real story is that they had personal issues that caused them to decide not to tour.
And what happened to the band members? Well, Newman still works as a musician. Hauser is out of the business and lives and works in Central Florida. Bordonaro is a successful business owner and also an equestrian. He lives in Southern California. Hawks is a hair dresser. And what about Gallucci? He too, is out of the music business. He sells Real Estate in Southern California. It is unbelievable that a man that has had such a major impact on Rock and Roll could be out of the business and largely unknown by the general public. He should be in the Rock n Roll Hall Of Fame!! But Don Gallucci can always take comfort in the fact that when opportunity came his way, he had the Touch…