Tag Archives: The Who

Is it Rock? Country? Blues? Folk? Maybe all of the above…

Album Cover for "The Cream of Country" by Jerry Lee Lewis

Album cover of "The Cream of Country"

Sun Record Label

One of the most famous record labels in History "Sun Records"

This record came to me through one of my friends who asked me to record it for him.  The story of how he came to own this record is worth telling because those times are long, long, gone…

So his story is this:  My friend grew up in Wichita, Kansas in the 1950’s.  Not much went on in Wichita in the ’50s and ’60’s.  Not much goes on there today, come to think about it.  But when my friend was a junior in College, Jerry Lee Lewis was going to come through town and play a concert.  My friend didn’t even really know who Jerry Lee Lewis was.  One afternoon, a flat bed truck came through the campus grounds with a bull horn announcing a rock and roll show and where to get tickets.  As  a crowd began to gather, the promoters just started throwing copies of Jerry Lee Lewis albums out into the crowd.  My friend is a tall gentleman now, and he was tall back then too.  He easily caught one of the records.  So here it is “The Golden Cream of Country” by Jerry Lee Lewis. This record was released in 1969.

This record is on Sun Records.  The famous studio of the producer, Sam Phillips.  Sun records is hallowed ground.  It is one of the birthplaces of Rock and Roll.  Take a look at this photo:

 

The Million Dollar Quartet

Jerry Lee Lewis, Carl Perkins, Johnny Cash, and Elvis Presley at Sun Records

At sun records in the 1950’s Rock, Country, Blues, and Folk music collided all at the same time. The results changed music forever.  Sam Phillips was the baby Doctor that assisted in it birth.  This record is a great example of what was going on at the time.  The tittle states it’s a “Country” record, but I would guess that when you listen to some of the songs you may think differently.

 

 

Side 1

Invitation To Your Party

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 A country song but with a honky tonk Rockabilly piano sound going on too.  Hmmm….

Jambalaya

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 This is such a famous song and it has been recorded by “everyone and their dog!”  I bet there are a lot of people that would be stunned to know that it was written by Hank Williams.  Here we have a Louisiana man singing about the bayou.  This is a great version and “The Killer” nails it!

Ramblin’ Rose

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When I saw this song title I thought it was going to be the “Ramblin’ Rose” of Nat King Cole.  This is a different song.  By the way, this song doesn’t sound anything like country and western music to me.  This is very Rhythm and Blues with it’s boogie beat and the style of singing it is really a very cool song.  This could have just as easily been Ray Charles.

Cold, Cold, Heart

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Another song by Hank Williams. When you call an album “The Golden Cream of Country” , you have to include some Hank Williams, Right?  There is a great new CD out that is a collection of unfinished songs of Hank Williams.  The CD was put together by Bob Dylan and a who’s who of great singer/song writers.  I haven’t heard it yet, but initial reviews have been very positive.  Jerry Lee definitely gives this song the country effect.  I especially like the gospel roll he uses in this arrangement.  The piano solo in the break is classic Jerry Lee Lewis.

As Long As I Live

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This song is much more Rock n Roll than country. The lead guitar sound is definitely more Rock sounding than country.  Once again The Killer tears up the piano with a great solo.

Seasons Of My Heart

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I don’t know who the woman singer is. She is not credited on the album anywhere. It’s interesting how they purposefully sing slightly out of sync with each other. It gives an edge of emotion to this song it wouldn’t otherwise have.

Side 2
One Minute Past Eternity

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This song is the most country song on the LP. This is in the style of old country like Patsey Cline.

I Can’t Trust You In My Arms Anymore

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This sounds more like Fats Domino than Willy Nelson.

Frankie and Johnny

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This is the only song on the LP that Jerry Lee Lewis wrote. This is straight ahead rock and roll. Not any country going on here. This is a great little rock and roll ditty.

Home

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A twangy guitar and a singing style like Roger Miller. A very country sounding song, with a slight blues edge to it.

How’s My Ex Treating You?

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Once again the walking blues bass appears. I like the fuzzy sound of the bass in this song. It’s a great tittle for a country song. It just sounds like rock and roll more than country. The Hammond Organ is not a typical C & W instrument ether.

And with that, “The Golden Cream of Country” comes to an end.  It’s Not the greatest album I ever heard.  It is interesting that a record like this was released with a tittle like this in 1969.  Consider what other albums were released in 1969.  The Beatles released Abbey Road, the Rolling Stones released Let it Bleed,  Led Zeppelin released Led Zeppelin I and II, The Who released “Tommy”.  There were also classic albums released that year by bands like The Velvet Underground, King Crimson, Captain Beefheart, and Nick Drake.  That is a very diverse group of musicians.  Music was going in a million directions in 1969.  Maybe the competition for Jerry Lee was so intense he felt he had to call it a country album to sell any copies.

So the point to me is that it is dumb to label music.  Country?  Rock?  Jazz?  Classical?  Then you get really silly with labels like:  Fusion, Alternative, Dubb step, Heavy Metal, Punk, Indie, etc…  On and on it goes, till nobody know what it really means anymore.  I don’t know.  I could be wrong.  What do you think?

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Posted in Blues Music, Country Music, Rock Music, Vinyl | Tagged , , , , , , , , , , , , , | Leave a comment

Top Ten Live Albums

Live albums are usually considered to be only for the “hard core” fan of that particular artist. I’m not not sure that I agree with that. Sometimes the live album raises to the level of high art. So what follows is my list of the top live rock albums. I’d love to hear what your list would be. Review the list and make your own.

1.  The Rolling Stones  – “Get Yer Ya-Ya’s Out!”Cover of Get Yer Ya Yas Out -

This album captures the Stones at the height of their powers.  The 1969 American tour is considered to be one of the greatest rock-n-roll tours of all time.  It was the first time a band toured with monitors on stage so they could hear themselves above the crowd noise.  The Stones came back to England and told the Beatles “You need to go tour the U.S. again.  Now you can actually hear yourself on stage.”  The result was that they could do things musically on stage that could not be done before.  A great example it the magnificent version of “Midnight Rambler” .  The new deluxe version of this record contains The original LP on CD and vinyl as well as bonus cuts and the complete opening acts that toured with the Stones that year:  Ike and Tina Turner and B.B. King.

2.  Little Feat “Waiting for Columbus”

Little Feat "Live" – Waiting for Columbus

I get excited the second I hear the band warming up their voices back stage. This band is so good live that you wonder if it’s really a studio recording with a crowd overdub. Consummate musicianship and artistry!

 

 

 

 

3.  The Who – “Live At Leeds”

Album cover of The Who "Live At Leeds"

Album cover of The Who "Live At Leeds"

 

This is another live album that caught a band at the height of their power. Tommy was still a new LP. Roger Daltry was young and had that powerful voice. Keith Moon was still alive and kickin’, and Pete Townsend wasn’t deaf. I love the 18 minute version of “My Generation” that becomes a highly complex medley of several of their best songs.

4.  Jimi Hendrix – “Band of Gypsy’s”

Jimi Hendrix "Band of Gypsys"

What an album this is! It is spooky how good Hendrix was. Here he is only months before he died, with a new band, pushing his music in an entirely new direction. This album was recorded at Filmore East at the height of the Vietnam war and the civil rights movement. Jimi sings “Machine Gun” and dedicates it “to all the cats fighting in Chicago, and New York and, oh yea; all the soldiers fighting in Vietnam”. In many ways this is my favorite Hendrix LP.

5.  Neil Young with Crazy Horse – “Live Rust

Neil Young and Crazy Horse Live

This was one of the all time greatest tours of rock history. Neil toured in support of his masterpiece “Rust Never Sleeps”. All the hits are here. You gotta love “Cortez the Killer”, “Like A Hurricane”, and “Hey, Hey, My, my, Rock-n-roll will never die…” Crazy Horse at their sonic, dissonant best!

 

 

6.  Crosby, Stills, Nash and Young “Four Way Street”

 

Crosby, Stills, Nash and Young – Live

 

 

 

 

 

 

 

 

 

 

 

 

I remember the first time I heard this record. It was in Art class in junior high school. This girl I had a crush on brought it in to listen to while the class painted. I loved it the moment I heard it. I loved how it was divided into a “wooden” disc and an “electric” disc. CSN&Y used to start their shows acoustic, take an intermission, then come back and do an electric set to close the show. There are so many great moments on this record. I love all the banter the band members have with the audience. It creates a very intimate atmosphere that is unique in live recordings.

7. The Allman Brothers “Live at Filmore East.”

 

The Allman Brothers Live at Filmore East

This is without a doubt one of the most amazing live albums ever. The musicianship on display here is mind blowing. These guys were great! What a lose to rock-n-roll that Duane Allman died so young. “Whipping Post”, “Statesborro Blues”, and “In Memory of Elizabeth Reed” are wired into the Psyche of roll-n-roll. This is a “must have” in any collection.

8.  Talking Heads – “Stop Making Sense”

Soundtrack to the Concert film “Stop Making Sense”

If you have never seen this concert film you should. This is a stunning performance by one of America’s best bands of all time. Talking Heads are a force of nature. The concert starts with just David Bryne on stage by himself. With each song another band member comes out to join him until finally the entire band is on stage. What is amazing is that each song retains it’s identity no matter who is on stage performing it. “Once in a Lifetime” is just unbelievable. Every song is great. The drama and musicianship is beyond belief.

9.  U2 -“Live at Red Rocks”  

 

U2 Live at Red Rocks

I think this is one of the best live albums U2 ever did. I like it much more than “Rattle and Hum”. They are still young and full of piss and vinegar. I love “11 O’Clock tick-tock”. All these songs were still new and the power and outrage the band feels at the violence in Ireland is palpable.

 

 

10. Johnny Cash “Live at Folsom Prison”

Johnny Cash Live at Folsom Prison

 

 

 

 

 

 

 

 

 

 

You can hear prison guards in the background. You can even hear Prison doors clink and slam shut. A passionate performance from a man who really tried to make a difference in the lives of prisoners. By the way, although Johnny Cash is a country singer, he is one of only two country singers in the Rock-n-Roll Hall Of Fame; so, he belongs on the list. This is a powerful, and moving recording. If you ever get a chance to see the documentary about this concert don’t miss it. It will make you think. God Bless Johnny Cash.

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Captain Beyond leaves me “Sufficiently Breathless…”

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For those of you who haven’t friended me on Facebook, (A phrase I thought I would never utter!) I spent the Fourth of July in Austin, Texas.  I went to a really cool record and CD store call “End of an Ear”.  I strongly recommend them to any and everyone.  Visit their site at:  www.endofanear.com.  I can assure you that vinyl is alive and well in Austin Texas.  For a complete list of all the cool vinyl and CD stores in Austin check out www.VinylAroundAustin.com.

I tried to resist buying any more LP’s.  but I failed badly.  I picked up four great albums:  Captain Beyond – Sufficiently Breathless, Alan Parsons – I Robot, Buffalo Springfield – Retrospective, and a blues LP by a New Orleans pianist who was know as “Archibald”.

When I found the Captain Beyond LP I flipped out!  I’ve wanted this record ever since I first heard the title cut in 1975.  Back then F.M. Radio wasn’t like it is now.  It was kind of underground radio. D.J.’s had complete freedom as to what they played.  They could play without commercial interruption for long periods of time.  If a D.J. wanted to play the entire live version of Whipping Post from The Allman Brothers Live at Fillmore East they could.  Captain Beyond was one of the “Cult Band’s” of that time.  They were a kind of Super Group.  

Sufficiently Breathless was the second LP from Captain Beyond. The LP also had different band members from the first LP.

The line up of the second LP was as follows:  Lee Dorman – Bass, Guille Garcia – Congas, Timbales, Percussion, Rhino (We will come back to him later) -Lead Guitar, Acoustic Guitar, and Slide Guitars, Rod Evans – Lead and Harmony Vocals, Marty Rodriguez – Drums, Back-up Vocals, Reese Wynans – Electric and Acoustic Pianos, and Paul Hornsby  – Organ on “Starglow Energy”.

Lee Dorman was the bass player for Iron Butterfly when they recorded the Psychedelic Rock classic “In-Na-Gadda-Da-Vida”.  Dorman received all the song writing credit for this record because everyone else was being sued at the time.  It is unlikely that he wrote all the songs by himself, but he definitely was a major contributor.  Guille Garcia had played with Chicago and also played on Joe Walsh “Barnstorming” prior to joining Captain Beyond.  

This brings us to “Rhino.”  Rhino was the nick name of Larry Reinhardt.  Larry had played with Lee Dorman after Iron Butterfly recorded In-A-Gadda-Da-Vida.  He first appeared on the album “Metamorphosis”   I actually saw Rhino and Dorman perform in El Paso Texas in 1976.  Iron Butterfly had reformed and were out on tour opening for Rush on the “Fly By Night” tour.  On “Sufficiently Breathless”  Rhino is simply named as Rhino.  If you check out the pictures above there is a detail shot of the band.  The guy in black is Rhino.  He looks like Jimmy Page.  The information super-highway was years away and so a lot of  rumors got started that Rhino was actually Jimmy Page (Led Zeppelin).  I think it helped sell a lot of records for Captain Beyond.  I even remember hearing DJ’s on FM radio speculate about this very thing.  It kind of was a smaller version of “Paul is Dead”.   For years I thought that Rhino was Jimmy Page!

 

This brings us to Rod Evans.  Rod Evans was the first lead singer of Deep Purple.  He was the lead vocalist on their first to big hits:  “Hush” and “Kentucky Woman”.  The other members of the band felt their sound was to “Pop”  oriented so they kicked him out of the band and hired Ian Gillian.  (Ian Gillian was every bit as revered as  Robert Plant of Led Zeppelin when I was an angst ridden teenager.)  More on Rod Evans when we get to the wrap up.

I know very little about the Drummer Marty Rodriguez.  I do know that the new producer of “Sufficiently Breathless”  Giorgio Gomelsky did not like the original drummer Brian Glascock  even though he had played with Santana; so, Guille Garcia personally recommended Rodriguez.  

Reese Wynans is a very interesting person.  Reese had been in a band called Second Coming.  This band was a forerunner to The Allman Brothers.  Second Coming had Dickey Betts and Berry Oakley as members.  When Reese joined Captain Beyond, Betts and Oakley joined the Allman Brothers.  Reese got beat out of his spot in the Allman Brothers by some guy named Gregg Allman.  I guess blood is thicker than water.  Things worked out for Reese anyway.  We will get back to his story later as well.

Paul Hornsby is better know today as a major producer than as an organist.  He produced records of The Charlie Daniels Band and The Marshall Tucker Band.  Paul got involved in the session because he knew Reese through his involvement with the pre-Allman Brothers Band called Hour Glass.  Is this a web of musical incest or what?!?!

This LP was recorded in 1973.  It is dedicated to Berry Oakley.  In a strange twist of irony.  Berry Oakley was killed in a motorcycle accident in Macon Georgia almost exactly a year after Duane Allman was also killed in Macon Georgia in a motorcycle accident.  The accidents even occurred just a few blocks apart! With all the Allman Brothers connections on this album it is not surprising that it is dedicated to Oakley.

On the inside fold out of the album and on the back of the album; the song order on side one is wrong. I have no idea why.  The song order is correct on the albums label.  So let’s hear this great cult album from one of the original “Stoner Groups” Captain Beyond!

Side 1

 Sufficiently Breathless

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The LP starts with this very cool and laid back acoustic sound.  The percussion has a Latino flavor.  Then the chorus hits you and you know you are listening to the right stuff.  The lyrics are appropriately cryptic.  At the break we get the first great guitar solo from Rhino.  The background music becomes drone-like and sounds a little Eastern influenced.  There are great harmonies here.  Evans does a great job as lead vocal. And then it all fades out…

Bright Blue Tango

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Right off the bat we get a great dose of the keyboard word from Reese Wynans.  The song has a funky swing to it.  Not exactly a Tango but it does make you want to move your body through space.  Once again great guitar work by Rhino. 

Drifting In Space

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Now Captain Beyond shows their Allman Brothers/Santana roots.  This is really great music.  It swings!  Wynans has a great solo in the middle of the song.  Evans vocals are awesome.  The rhythm section has soul.

Evil Men

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Evil men starts out with a breezy almost Steely Dan guitar sound but quickly switches to a much more sinister sound.  Next a  percussion break followed by a nice guitar solo by Rhino.   Rhino has an extended solo over a stop-start back-beat.  The vocals return.  Rod Evans sings his heart out.  Then Side 1 ends with the fade out…

Side 2

Starglow Energy/Distant Sun

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Side 2 fades in with some nice keyboard work from Wynans and Hornsby.  Don’t tell me Alan Parsons wasn’t a big Captain Beyond fan.  This cut could have just as easily been on I Robot or some other Alan Parsons Project.  Starglow energy is one of my favorite cuts on the record.  It has a majestic feel to it.  Once again Rhino and Evans shine.  Personally, give me a” taste of Starglow Energy!”  The song fades out and then there is an immediate kick of percussion that summons in Distant Sun.  The beginning of this song foreshadows fusion jazz.  The song has a very jazz like middle section too.  This is just very creative high quality rock-n-roll. These guys didn’t want to sound like someone else.  What they came up with had never been heard before.  This is why this LP is considered by many different artist to have been very influential.  The end of this song is surprisingly abrupt.

Voyage Of Past Travellers/Everything’s A Circle

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Track 3 and 4 are uninterrupted as well.  Voyage of Past Travellers (Intentionally spelled this way by the song writer.)  Is very Pink Floyd sounding and segues directly into the final song Everything’s A Circle.    Voyage fades in like a bad radio signal.  There is some nice feedback guitar and then a mysterious voice send us a message.  There is a fade into the Bass guitar and percussion.  This could easily be Santana.    I love the duel guitar sound in this song. Once again the music takes on a Latin Swing sound.  Great percussion, great vocals.  The music makes you want to move.

So I hope you enjoyed Captain Beyond – Sufficiently Breathless.  I think it is one of the great “cult” LP’s of Rock-n-Roll.

So what happened after this great record was finished?  Well, Rod Evans had trouble getting along with others once again.  As soon as the record was completed he left the band due to tensions that developed during the recording sessions.  The band later reformed at the end of 1973 and went on tour.  There is a CD of Captain Beyond recorded “Live” in Arlington, Texas at The University of Texas at Arlington.  It was recorded in 1973 but not released until 2002.  They still couldn’t work out their differences and the band split up again.  Rod Evans completely got out of the music business.  He became a Respiratory Therapist  in 1980.  He was talked out of retirement to do a “Deep Purple” reunion tour.  The problem was Deep Purple didn’t want to have anything to do with Evans.  Rod Evans did the tour anyway and got sued.  He lost the law suit along with a +$6000,00o damage judgement.  In order to pay the damages he gave up all the rights to his royalties from his Deep Purple days.  There are many people who would love to know his whereabouts today.  He has entirely disappeared.

Larry “Rhino’ Reinhardt went on to have a long but not distinguished career.  He played on several recordings of the Bobby Womack.  He had his own band, he play with a band called Mad Dancer.  In 2008 he was diagnosed with terminal cancer.  He put out a CD called Rhino’s Last Dance in 2009.  Somehow he managed to survive and is still alive today.  You go, Rhino!

The last person I want to fill you in on is the keyboard player Reese Wynans.  Reese went on to play with Stevie Ray Vaughn and Double Trouble.  He played with Stevie till the day Stevie died.  I got to see Double Trouble open for The Who in The Cotton Bowl in Dallas, Texas a month or two before Stevie was killed in a helicopter crash in Wisconsin.  They were so good that I told my friend that I was with: “If I were The Who, I wouldn’t go on after that.”  Reese continues to have a great career.  He has toured with Joe Ely, Chris Layton, and Tommy Shannon on the Double Trouble tour “Been A Long Time” and has also played with the great Delbert McClinton.  I got to see Reese play with Delbert McClinton when Delbert was asked at the last minute to substitute for George Jones to open for The Rolling Stones.  Reese was great that night as well.

So there ends the story of Captain Beyond – Sufficiently Breathless.  This band stood at the crossroads of so many different bands and trends in Rock-n-Roll.  What is really cool about the record is that you can hear it all in the music.  I have to stop writing now I am breathless…

Another tale from the turntable.

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Posted in Life Events, Vinyl | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 8 Comments