Tag Archives: Dallas Texas

After 50 years, Clapton is still god…


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 Eric Clapton‘s 50th anniversary tour came through Dallas, Texas March 19th at the American Airlines Center. This tour is not getting the publicity of The Rolling Stones 50th anniversary tour, and it seems typical of Clapton to not toot his own horn like Mick and Keith do. Although it is not getting the attention of the media like The Stones tour, it is an equally important milestone in Rock n Roll history. On a beautiful spring evening in Dallas, the 67 year old guitar god proved that he is every bit the musician he has ever been.

Musician is a title that is earned and I don’t use lightly. Eric Clapton is a virtuoso musician of the highest level. In his understated, “Slow Hand” way he took us on a kaleidoscopic tour of his rich musical legacy. And what a tour it is…

I scored my tickets from a good friend I work out with. He called late Monday afternoon with the good news. Making it to a concert on a Tuesday night can be a little challenging and unfortunately we were late for the opening act The Wallflowers. This is Bob Dylan‘s son, Jakob Dylan‘s band. We sat down in our seats just in time to hear their best know song “One Headlight” . They sounded great, but we only heard  their last four songs. It was a pleasant surprise to see that the arena was completely full for The Wallflowers. Apparently, most of the fans that attended the show had no problem being on time for the 7:30PM start time. This is the first concert I’ve been to in years where so many fans turned out for the opening act. Very impressive, and a great indication of the popularity of this great band.

After a brief intermission, Eric quietly strolled onto the stage with his incredible band:  Doyle Bramhall II (guitar), Steve Jordan (drums), Chris Stainton (piano and keyboards), and Willie Weeks (bass), along with the amazing  Paul Carrack (organ and keyboards), Greg Leisz (pedal steel guitar), and Michelle John and Sharon White (backing vocalists).  Instead of kicking off the show with a bang, Eric started out the concert with two acoustic dominated songs: “Hello Old Friend” (A greeting to the crowd) and “My Father’s Eyes”.  Both songs featured great pedal steel solos by Greg Leisz.  After the first two songs, Clapton greeted the crowd by talking about how much he loved Dallas and that he considered it a second home.  He then kicked it up a notch as the band launched in to “Tell The Truth” from his great Album Layla.  This song featured outstanding  solos from all three guitarists.  Doyle Bramhall was amazing as  he played his guitar Hendrix style (he plays left handed, with a right handed guitar that is turned upside down, so the bass strings are on the bottom and the treble strings are on the top).  Up next was a song from Clapton’s new album “Old Sock” called Gotta Get Over.  This song stood up well against all the other well known hits that Clapton played.    A powerful cover of the Albert Collins song Black Cat Bone featured amazing guitar work by Clapton and Bramhall.  Clapton then went back to his Derek and the Dominos days and performed Got to Get Better in a Little While.  This song was smoking hot!  It was a huge bonus that Clapton was touring with Paul Carrack.  Paul is a living legend in England.  He is sadly, only moderately well known in the U.S.A.  Paul took the first of three turns at lead vocal with “Tempted” from his days with Squeeze.  This magnificent song was magnificently sung by one of the best “Blue Eyed Soul” singers on the planet.  It is also very appropriate that Eric Clapton occasionally played the roll of  “side man” to another singer/song writer.  It hearkened back to the days    when he toured with Delaney and Bonnie.  He had several times in his 50 year career that he just wanted to be the guitar player in the band.  Next Clapton played the first song from his days with Cream as the band almost blew the roof off the arena with an extended version of Badge.  This song brought the crowd to it’s feet for the first time in the show.

Clapton took a chair next and did an “unplugged” set that included Driftin’ Blues, (Written by Johnny Moore’s Three Blazers) a uptempo reggae version of Tears  in Heaven that was only marginally effective, a great version of Lay Down Sally, Wonderful Tonight, and Layla.

Paul Carrack then returned to sing his great hit from his days with Ace:  How Long (Has this been goin’ on?).  Clapton turned in one of his best solos of the night during this song.

Then the concert went to a whole different level and I had one of the concert experiences that stay with you for a very long time… Clapton walked up to the microphone and said “Now, it’s Robert Johnson time!”  I’m sure there were many in the arena that missed the significance of that moment, but it was not lost on me.  Without Robert Johnson there would be no Rock-n-Roll.  Few people know that 13 of his known recordings were made on the third floor of 508 Park Ave. in Dallas.  Eric Clapton has been personally involved in saving and protecting this important historical property.  Clapton and his band tore through Stones in My Passway, Love in Vain, Crossroads, and a powerful cover of Little Queen of Spades.  This was what you paid to see.  Powerful, raw blues guitar by the greatest living blues player on the planet.  The last song before the encores was J.J. Cale’s song Cocaine.

The band return for two encores, Sunshine of Your Love, which was amazing, and Paul Carrack sent us all home with a rousing cover of the Joe Cocker song “High Time We Went”.

This tour is coming to an arena near you.  I think it’s high time you went…

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Posted in Life Events, Live Performance Reviews, Rock Music | Tagged , , , | 1 Comment

Captain Beyond leaves me “Sufficiently Breathless…”

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For those of you who haven’t friended me on Facebook, (A phrase I thought I would never utter!) I spent the Fourth of July in Austin, Texas.  I went to a really cool record and CD store call “End of an Ear”.  I strongly recommend them to any and everyone.  Visit their site at:  www.endofanear.com.  I can assure you that vinyl is alive and well in Austin Texas.  For a complete list of all the cool vinyl and CD stores in Austin check out www.VinylAroundAustin.com.

I tried to resist buying any more LP’s.  but I failed badly.  I picked up four great albums:  Captain Beyond – Sufficiently Breathless, Alan Parsons – I Robot, Buffalo Springfield – Retrospective, and a blues LP by a New Orleans pianist who was know as “Archibald”.

When I found the Captain Beyond LP I flipped out!  I’ve wanted this record ever since I first heard the title cut in 1975.  Back then F.M. Radio wasn’t like it is now.  It was kind of underground radio. D.J.’s had complete freedom as to what they played.  They could play without commercial interruption for long periods of time.  If a D.J. wanted to play the entire live version of Whipping Post from The Allman Brothers Live at Fillmore East they could.  Captain Beyond was one of the “Cult Band’s” of that time.  They were a kind of Super Group.  

Sufficiently Breathless was the second LP from Captain Beyond. The LP also had different band members from the first LP.

The line up of the second LP was as follows:  Lee Dorman – Bass, Guille Garcia – Congas, Timbales, Percussion, Rhino (We will come back to him later) -Lead Guitar, Acoustic Guitar, and Slide Guitars, Rod Evans – Lead and Harmony Vocals, Marty Rodriguez – Drums, Back-up Vocals, Reese Wynans – Electric and Acoustic Pianos, and Paul Hornsby  – Organ on “Starglow Energy”.

Lee Dorman was the bass player for Iron Butterfly when they recorded the Psychedelic Rock classic “In-Na-Gadda-Da-Vida”.  Dorman received all the song writing credit for this record because everyone else was being sued at the time.  It is unlikely that he wrote all the songs by himself, but he definitely was a major contributor.  Guille Garcia had played with Chicago and also played on Joe Walsh “Barnstorming” prior to joining Captain Beyond.  

This brings us to “Rhino.”  Rhino was the nick name of Larry Reinhardt.  Larry had played with Lee Dorman after Iron Butterfly recorded In-A-Gadda-Da-Vida.  He first appeared on the album “Metamorphosis”   I actually saw Rhino and Dorman perform in El Paso Texas in 1976.  Iron Butterfly had reformed and were out on tour opening for Rush on the “Fly By Night” tour.  On “Sufficiently Breathless”  Rhino is simply named as Rhino.  If you check out the pictures above there is a detail shot of the band.  The guy in black is Rhino.  He looks like Jimmy Page.  The information super-highway was years away and so a lot of  rumors got started that Rhino was actually Jimmy Page (Led Zeppelin).  I think it helped sell a lot of records for Captain Beyond.  I even remember hearing DJ’s on FM radio speculate about this very thing.  It kind of was a smaller version of “Paul is Dead”.   For years I thought that Rhino was Jimmy Page!

 

This brings us to Rod Evans.  Rod Evans was the first lead singer of Deep Purple.  He was the lead vocalist on their first to big hits:  “Hush” and “Kentucky Woman”.  The other members of the band felt their sound was to “Pop”  oriented so they kicked him out of the band and hired Ian Gillian.  (Ian Gillian was every bit as revered as  Robert Plant of Led Zeppelin when I was an angst ridden teenager.)  More on Rod Evans when we get to the wrap up.

I know very little about the Drummer Marty Rodriguez.  I do know that the new producer of “Sufficiently Breathless”  Giorgio Gomelsky did not like the original drummer Brian Glascock  even though he had played with Santana; so, Guille Garcia personally recommended Rodriguez.  

Reese Wynans is a very interesting person.  Reese had been in a band called Second Coming.  This band was a forerunner to The Allman Brothers.  Second Coming had Dickey Betts and Berry Oakley as members.  When Reese joined Captain Beyond, Betts and Oakley joined the Allman Brothers.  Reese got beat out of his spot in the Allman Brothers by some guy named Gregg Allman.  I guess blood is thicker than water.  Things worked out for Reese anyway.  We will get back to his story later as well.

Paul Hornsby is better know today as a major producer than as an organist.  He produced records of The Charlie Daniels Band and The Marshall Tucker Band.  Paul got involved in the session because he knew Reese through his involvement with the pre-Allman Brothers Band called Hour Glass.  Is this a web of musical incest or what?!?!

This LP was recorded in 1973.  It is dedicated to Berry Oakley.  In a strange twist of irony.  Berry Oakley was killed in a motorcycle accident in Macon Georgia almost exactly a year after Duane Allman was also killed in Macon Georgia in a motorcycle accident.  The accidents even occurred just a few blocks apart! With all the Allman Brothers connections on this album it is not surprising that it is dedicated to Oakley.

On the inside fold out of the album and on the back of the album; the song order on side one is wrong. I have no idea why.  The song order is correct on the albums label.  So let’s hear this great cult album from one of the original “Stoner Groups” Captain Beyond!

Side 1

 Sufficiently Breathless

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The LP starts with this very cool and laid back acoustic sound.  The percussion has a Latino flavor.  Then the chorus hits you and you know you are listening to the right stuff.  The lyrics are appropriately cryptic.  At the break we get the first great guitar solo from Rhino.  The background music becomes drone-like and sounds a little Eastern influenced.  There are great harmonies here.  Evans does a great job as lead vocal. And then it all fades out…

Bright Blue Tango

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Right off the bat we get a great dose of the keyboard word from Reese Wynans.  The song has a funky swing to it.  Not exactly a Tango but it does make you want to move your body through space.  Once again great guitar work by Rhino. 

Drifting In Space

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Now Captain Beyond shows their Allman Brothers/Santana roots.  This is really great music.  It swings!  Wynans has a great solo in the middle of the song.  Evans vocals are awesome.  The rhythm section has soul.

Evil Men

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Evil men starts out with a breezy almost Steely Dan guitar sound but quickly switches to a much more sinister sound.  Next a  percussion break followed by a nice guitar solo by Rhino.   Rhino has an extended solo over a stop-start back-beat.  The vocals return.  Rod Evans sings his heart out.  Then Side 1 ends with the fade out…

Side 2

Starglow Energy/Distant Sun

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Side 2 fades in with some nice keyboard work from Wynans and Hornsby.  Don’t tell me Alan Parsons wasn’t a big Captain Beyond fan.  This cut could have just as easily been on I Robot or some other Alan Parsons Project.  Starglow energy is one of my favorite cuts on the record.  It has a majestic feel to it.  Once again Rhino and Evans shine.  Personally, give me a” taste of Starglow Energy!”  The song fades out and then there is an immediate kick of percussion that summons in Distant Sun.  The beginning of this song foreshadows fusion jazz.  The song has a very jazz like middle section too.  This is just very creative high quality rock-n-roll. These guys didn’t want to sound like someone else.  What they came up with had never been heard before.  This is why this LP is considered by many different artist to have been very influential.  The end of this song is surprisingly abrupt.

Voyage Of Past Travellers/Everything’s A Circle

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Track 3 and 4 are uninterrupted as well.  Voyage of Past Travellers (Intentionally spelled this way by the song writer.)  Is very Pink Floyd sounding and segues directly into the final song Everything’s A Circle.    Voyage fades in like a bad radio signal.  There is some nice feedback guitar and then a mysterious voice send us a message.  There is a fade into the Bass guitar and percussion.  This could easily be Santana.    I love the duel guitar sound in this song. Once again the music takes on a Latin Swing sound.  Great percussion, great vocals.  The music makes you want to move.

So I hope you enjoyed Captain Beyond – Sufficiently Breathless.  I think it is one of the great “cult” LP’s of Rock-n-Roll.

So what happened after this great record was finished?  Well, Rod Evans had trouble getting along with others once again.  As soon as the record was completed he left the band due to tensions that developed during the recording sessions.  The band later reformed at the end of 1973 and went on tour.  There is a CD of Captain Beyond recorded “Live” in Arlington, Texas at The University of Texas at Arlington.  It was recorded in 1973 but not released until 2002.  They still couldn’t work out their differences and the band split up again.  Rod Evans completely got out of the music business.  He became a Respiratory Therapist  in 1980.  He was talked out of retirement to do a “Deep Purple” reunion tour.  The problem was Deep Purple didn’t want to have anything to do with Evans.  Rod Evans did the tour anyway and got sued.  He lost the law suit along with a +$6000,00o damage judgement.  In order to pay the damages he gave up all the rights to his royalties from his Deep Purple days.  There are many people who would love to know his whereabouts today.  He has entirely disappeared.

Larry “Rhino’ Reinhardt went on to have a long but not distinguished career.  He played on several recordings of the Bobby Womack.  He had his own band, he play with a band called Mad Dancer.  In 2008 he was diagnosed with terminal cancer.  He put out a CD called Rhino’s Last Dance in 2009.  Somehow he managed to survive and is still alive today.  You go, Rhino!

The last person I want to fill you in on is the keyboard player Reese Wynans.  Reese went on to play with Stevie Ray Vaughn and Double Trouble.  He played with Stevie till the day Stevie died.  I got to see Double Trouble open for The Who in The Cotton Bowl in Dallas, Texas a month or two before Stevie was killed in a helicopter crash in Wisconsin.  They were so good that I told my friend that I was with: “If I were The Who, I wouldn’t go on after that.”  Reese continues to have a great career.  He has toured with Joe Ely, Chris Layton, and Tommy Shannon on the Double Trouble tour “Been A Long Time” and has also played with the great Delbert McClinton.  I got to see Reese play with Delbert McClinton when Delbert was asked at the last minute to substitute for George Jones to open for The Rolling Stones.  Reese was great that night as well.

So there ends the story of Captain Beyond – Sufficiently Breathless.  This band stood at the crossroads of so many different bands and trends in Rock-n-Roll.  What is really cool about the record is that you can hear it all in the music.  I have to stop writing now I am breathless…

Another tale from the turntable.

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