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Tag Archives: Blues Music
If you don’t know who Big Head Todd and the Monsters are, then you need to get to know them. I was not familiar with their music until last year. Now I have all of their music except the new CD of Robert Johnson covers. Big Head Todd was formed in 1986 released their first studio album in 1989 so they have stood the test of time. What I think Todd Mohr (The Lead Singer/Lead Guitar Player/ Song Writer) has accomplished is the perfect melding of alternative rock with blues rock. Simply put, The man can play the blues. The set they performed at the House of Blues was appropriately Blues infused! I think Todd had the blues in his heart and mind because he had just released “Big Head Todd Blues Club – 100 Years of Robert Johnson” in 2011 and his buddy, the great Hubert Summlin, had just died. Hubert was the guitar player for Howlin’ Wolf. Keith Richards was putting together a surprise birthday party for Hubert at the Apollo Theater in New York when Hubert passed away. The birthday party became a tribute concert. Todd was invited by Keith Richards and Eric Clapton to participate. That concert occurred in New York on February 24th right before I saw this concert on March 1st, 2012. I think the blues were on his mind.
I got invited to the show by a friend of mine who is one of their biggest fans and he is also the guy that turned me on to them as well. I had heard a few of their better known songs like “Bittersweet”, but I had never sat down and listened to an entire recording of theirs until Wojo came along. Thanks Wojo where ever you are! My friend Wojo is also a Founders Club member of The House of Blues. What that means is that we had a first class experience at the show. We had access to a private entrance to the club, a private bar, reserved seats, and table service for cocktails. That’s why some of the pictures are so good. I was sitting right next to the mixing board.
There was no opening act. Todd and the Monsters walked on stage at exactly 9:00pm and promptly blew the doors of the building. The sound quality was excellent. The musicianship was even better. Todd wields a major Ax! (It’s no wonder that Keith Richards and Eric Clapton invited him to participate in the Summlin tribute.) They played all of their hits as well as a good bit of material from their newer CD’s. The show lasted 2 hours but it went by way too fast.
Big Head Todd and the Monsters are on tour right now. Don’t you dare miss them. You will have a first class rock experience even if you’re not a Founders Club member. Buy their music too. You will not be disappointed. I for one am going to get the Robert Johnson CD as soon as possible. Also, check out their website: http://www.bigheadtodd.com – There is great video of the Hubert Summlin tribute as well as all of the music from this amazing band.
Sorry for the long hiatus form my blog. It couldn’t be helped. I was traveling a lot in the first 3 months of this year and I have really been working way too much. My focus is back on music and my blog now. I have several other blogs that I need to post, so expect much higher activity in the near future.
Happy Easter and Long Live The Blues!
Great Question. This album was loaned to me by my neighbor Ray. He has the most interesting taste in music. This was another little gem from his collection. I also really enjoyed researching this LP.
So who was the Siegel-Schwall Band? Corky Siegel and Jim Schwall met in college at Roosevelt University. They had an idea of combining country music with blues. Jim Schwall was into country and Corky Siegel was into blues. They became the house band at Pepper’s Lounge on Chicago’s south side. They became a mecca to great blues musician’s. There was no telling who would show up and set in with the band from night to night. (Muddy Waters, Buddy Guy, Little Walter, Junior Wells, etc…)
The Band was made up of Corky Siegel on Harmonica and piano, Jim Schwall on Guitar, Rollow Radford on Bass (Rollo had played with Martha Reeves and the Vandrells and also Sun Ra) and Sheldon Ira Plotkin on drums and percussion. They signed their first record deal in 1965 with Vanguard Records and made four albums. During that time the Paul Butterfield Blues Band started touring the country and left an opening at Big John’s in Old Town. They were becoming more popular so they launched their first national tour in 1969. Although they were not as popular as Paul Butterfield or John Mayall they still played some large halls like Fillmore West. In the early seventies they signed with Wooden Nickle Records. A local Chicago label that was distributed by RCA.
953 West was the third album released on Wooden Nickle. It was recorded in 1973 in Chicago. I can’t find what the title meant. There is a poem on the back of the LP written by Eddie Balchowsky. (Who also did the art work on the LP jacket.)
“Standing in the doorway
of 953 West, –
The afternoon sounds
and the shadows,
The reflections –
and the momentary silences
All press one into
A motionless observer,
No thoughts or feelings
Disturb the Anesthetic
of this reality.”
Next to the word “doorway” is a quote from Lao-Tzu: “He who knows where to stop in naming things has security.
Next to the word “Sounds” is a quote from Engels: “Freedom is the recognition of necessity.”
Next to the word “reflections” is another quote from Lao-Tzu: “The best way to do is to be.”
Next to the word “observer” is a quote from Buddha: “Be ye lamps unto yourselves.”
Next to the word “anesthetic” is a quote from the poet himself Balchowsky: “It’s the same for everybody.”
The Siegel-Schwall Band has another unique claim to fame. In 1968 they became the first blues band to play with a major symphony orchestra. They performed “Three Pieces for Blues Band and Symphony Orchestra” by William Russo. Russo was the genius behind the Stan Kenton Orchestra and was a major figure in Jazz music in America. Siegel-Schwall also recorded the composition for Deutsche Gramophone. Both the live performance and the LP were recorded with Seiji Ozawa and the Chicago Symphony Orchestra.
Let’s hear the music and then we will wrap up the story of The Siegel-Schwall Band. Wooden Nickle records were cute in that instead of “Side 1” and “Side 2” they had “Heads” and “Tails” soooo….
A great opening cut. Real Funky piano by Corky and great slide guitar from Jim Schwall.
Funky almost Cajun feel Alla Little Feat, Neville Brothers. Great harp from Corky and once again nice guitar work from Jim. Plokin’s percussion is also a standout on this cut.
Definitely Dixie Land Jazz. The brass section is referred to on the LP as John Payne on Soprano Sax and Friends of New Orleans: Philly, Fred & Dave Paquette. I like the reference to “a pick up Bar on Rush Street”. That is still the part of Chicago where the party is!
I really like this song. It’s just another great boogie beat R&B song. I guess I’m a city boy that likes to sing songs about the Country too. Great Boogie Woogie Piano by Corky.
What would a blues record be without at least one good drinkin’ song? I love this stuff! The harmonica and the acoustic guitar. Schwall is laying down that great blues guitar and great vocals while Siegel sing with the mouth harp. Priceless!
The Title says it all! Great blues vocal by Radford. I love the whole band doing the echo chorus. Another Chicago reference in the lyrics to “Belmont Street”. The middle section is really kind of wild.
Nostalgic blues. Great piano and vocal by Corky Siegel. It could have been written in any time. A great example how traditional, folk, blues, country are really branches of the same tree.
This is one of my favorite cuts on the LP. It is really a nice boogie blues song. Plus it’s about drinking wine! That can get anybody in trouble! Especially during the full moon. Great harmonica solo by Siegel. What a funny line: “Last night I thought I scored an angel, but I woke up with a Clown.”
Another great drinking song…
The song starts out with a great blues harmonica solo by Siegel. A slow blues… Solid back beat laid down by Radford and Plotkin. “Bring my Whiskey babe, Bring me my sleepin’ pills. If the angels don’t want me babe… you know the devil will…” then the harmonica wails it’s lonesome cry.
“If can’t light it at both ends honey, I’, goin’ to blow out the candle..” This song features an instrument called a Ratjug. Not sure what that is. The all female chorus features Jim Schwall’s wife Cherie Schwall.
So here’s the rest of the story…
The band broke up the next year (1974). In 1987 they reunited and recorded a new album on Alligator records. They went on tour and followed that up with a live album in 1988. In 2005 they recorded another record on Alligator records called Flash Forward. It made the Billboard top 15 Blues record charts! Siegel later formed a group called Chamber Blues. The unusual band is made up of a string quartet, tabla, and harmonica/piano. Corky Siegel is still living in Chicago and plays a large roll in music education for Chicago public schools. What a great legacy to leave behind! So, who was the Siegel-Schwall Band? Just a very influential band from the south side of Chicago. One of the trailblazers of melding popular music with traditional symphonic music. All in all, not a bad legacy and a really enjoyable record to boot! Thanks Corky and Jim. Keep blazing the trail. What do you think? Let me hear from you. do you know the meaning of the title 953 West? If you think you have some insight let me know.
Thus ends another tale from the turntable…
Low Country Blues by Gregg Allman:
The Great New CD from Gregg Allman
How can I tell you how great this CD is? From the first note to the last it is awesome. This is Gregg Allman’s first CD in 14 years and it was worth the wait. The Blues ooze out of Gregg. He has been through a lot in his life in the past and present.
Gregg Allman has recently survived Liver transplant surgery due to his past I.V. drug problems. Gregg said it was the most painful thing he has ever experienced in his entire life. The CD is produced by the one and only T Bone Burnett. T Bone is in my mind the top Producer working in music today. He produced “The Union” … the latest CD from Elton John and Leon Russell; Robert Plant and Allison Krauss “Raising Sand”; “Oh, Brother, Where Art Thou?”, and the great CD’s of his ex-wife, Sam Phillips. (Martini’s and Bikini’s, etc…) and the list goes on and on and would blow you away if you knew. He is creating the sound we here today. He is Marshall Chess, Phil Spector, Ahmet Ertegen, Alan Parsons, and whoever else you want to name all rolled into one. T Bone seems hell bent on rekindling every rock star’s career he feels deserves to find a new generation of fans. All I have to say to him is: “You go, dude!!!! Thank God for T Bone Burnett.
This CD almost didn’t get made. Gregg Allman wanted to use his touring band. T Bone said it was a deal killer if Gregg would not use the “All-Star” band he put together for the project. Gregg said “fine, the deal is off…” Lucky (Or Good) for T Bone one of the “All-Stars” was Mac Rebennack (aka “Dr. John”). Dr John has been a close friend of Gregg Allman for many years. He convinced Allman to go ahead with the project. In addition Gregg was assured that the tour supporting the CD would be made with his regular band members. Deal On! The “All-Star” band also includes the great Doyle Bramhall II on lead guitar.
The CD is a tribute to some of Gregg’s favorite Blues Musicians. Some of the musicians who’s songs are covered are: “Sleepy” John Estes, Skip James, Muddy Waters, Little Milton, Junior Wells,, BB King, Buddy Guy, and Magic Sam. My favorite song on the CD is the Skip James song, “Devil Got My Woman”. The Song starts with just Gregg’s voice and acoustic guitar. The guitar is played by Gregg and it was Skip James actual guitar. Gregg sings “I’d rather be the devil than be that Woman’s Man…” It sounds ancient, like listening to Robert Johnson for the first time. Very spooky and powerful music! Every cut is good on this CD. I could go on and on, but just go out and get the CD, NOW!